Published
in Folkworks 2010
Nothing
celtic in my May column, but as it is getting hot and Cinco de Mayo is coming
up, here are some tunes from the American Southwest that are a lot of fun to
play in jams/sessions. I have played them in sessions from a bit north of the
Mexican border to a bit south of the Canadian border and many places in
between. Two favorite tunes in this genre are El Churrumbé from New Mexico and
Purple Lilies from Arizona, which I cover in this column.
Traditional
Southwest Fiddle styles (e.g. Arizona, New Mexico) sound a lot more Mexican (or
Central European) than the better known Old-Time Southeast style (e.g.
Virginia, Carolinas, Kentucky). Clearly, the influences and original sources
were different: Maybe Habsburg Empire rather than Highland Clearances? But in
both cases, the original European sources were filtered through time and local
sensibilities, resulting in a new unique style of music.
El
Churrumbé is a dance tune from New Mexico and I found it on several field recordings.
It is an extremely easy tune to teach and yet fun to play. The only more recent
commercially available would be by Jenny Vincent, entitled Spanish American Dance
Tunes of New Mexico, although she plays it a little different and very slow.
However, you can listen to it as it is being played in some jam sessions on
youtube (so check them out before looking at the sheet music). Another
important source of tunes from New Mexico was Cleofes Ortiz, who was born in 1910 on Pajarito Plateau
near Rowe, New Mexico, and began playing for dances in his teens. He stopped
playing in the 1920s until he was
rediscovered 50 years later. PBS did a documentary on him entitled “Violinista de Nuevo
Mexico”, which includes some of the tunes that are often played, and which is
available as I’m writing this on youtube. The only source to buy a CD of his
playing would be Bayou Seco.
Purple
Lilies is one of the best known tunes from Arizona, thanks to the efforts of
Bayou Seco (Ken Keppeler and Jeanie McLerie) of Silver City, New Mexico, who
have kept that style alive and brought it to new players. You can find lots of
versions of Purple Lilies on youtube. The main source is the fiddle band
music of the Tohona O’odham people of Southern Arizona. Utilizing instruments originally introduced by
Spanish missionaries, the fiddle band sound is an unusual mix of polkas,
two-steps, and mazurkas utilizing violins, guitar, and drums. One great CD is
by the Gu-Achi Fiddlers, entitled “Old Time
O'odham Fiddle Music”. It is not virtuostic and the fiddles are on the scratchy
side, but the exuberance and more than compensate. This
distinctive twin fiddle style eventually changed into a newer Native American
style known as chicken scratch or waila (which replaced the fiddles with a
saxophone and electric guitars).
Every
spring, I teach these tunes in an afterschool class at a local school. I
practice with students for a few weeks and teach them about 8-10 tunes by ear
and then they perform at the Cinco de Mayo festivals and the Topanga Banjo
Fiddle Festival. Aside from El Churrumbe and Purple Lilies, the other tunes are
usually from the playing of the Gu-Achi Fiddlers and Cleofes Ortiz and they
sound authentic enough for a Cinco the Mayo fiesta, especially when
supplemented by a classic like Cielito Lindo. So, yes, maybe it is cheating a
bit, but that way students learn an authentic traditional fiddle style.
