One type of tune that I haven’t covered in this column
before are marches. Marches are often overlooked in favor of hoedowns/reels or
jigs, but they do exist in all traditions. Since marches are not very fast,
they are excellent for intermediate level sessions and yet are fun to play.
One march that got around a lot is Bonaparte Crossing the Rhine or Sherman’s
March to Sea. In Europe, it seems to be known as Caledonian March. At the moment, here in Los Angeles, a variation
of the tune is making the rounds as Braes
of Dunvegan. There are at least 3
different sessions in town that play it regularly and it has become core repertoire
of the Scottish Fiddlers of Los Angeles.
I have known the tune for many years as Bonaparte Crossing the Rhine and may have first heard it on the
1971 recording by the Fuzzy Mountain String Band. The Fuzzy Mountain String
Band, together with the Hollow Rock String Band, was one of the seminal
old-time string bands during what may
have been the first old-time music revival (and we are currently in the second
or third). The Fiddler’s fakebook has a transcription of the tune.
But I want to focus on the variation of the tune that is
known as Braes of Dunvegan, which has
a little twist in the B-part (a C-natural) that makes it interesting and I
think also more appealing. The setting I transcribe below is how I learned it
from Cape Breton fiddler Kimberley Fraser.
Not quite a session, a little more organized than that, but
here are about 200 fiddlers playing Braes
of Dunvegan, led by Kimberley Fraser http://www.youtube.com/watch?v=ay4FfB_r35g
You won’t be able to recognize the faces in the video, but
that group includes some of my favorite artists in the traditional music genre.
I don’t know how often you would get such a group together and this list is far
from complete (just can’t remember who else was there): In the cello group,
there are Natalie Haas (duo with Alasdair Fraser), Tristan Clarridge (Crooked
Still, and 5-times Grand Champion of the Weiser Old-Time Fiddle Contest), Mike
Block (Yo-Yo Ma’s Silk Road Ensemble, Republic of Strings); in the fiddle
section are Britanny Haas (Crooked Still), Hanneke Cassel (solo artist), Ryan
McKasson (Syncopaths, McKassons), Lauren Rioux (Republic of Strings), and
Weiser Grand Champions Kimber Ludiker and Tashina Clarridge.
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